{"id":4977,"date":"2026-11-04T23:22:18","date_gmt":"2026-11-04T22:22:18","guid":{"rendered":"https:\/\/www.gabrielenapoli.it\/?page_id=4977"},"modified":"2026-11-05T09:37:48","modified_gmt":"2026-11-05T08:37:48","slug":"gabriele-napoli-test-1","status":"publish","type":"page","link":"https:\/\/www.gabrielenapoli.it\/it\/","title":{"rendered":"Gabriele Napoli"},"content":{"rendered":"
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\n\t\t\t<\/div>\n\t\t\t<\/a>\n\t<\/div>\t<\/div>\n\t<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":4645,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"\nGabriele Napoli<\/title>\n<meta name=\"description\" content=\"His works are characterized by the coexistence of two oxymoronic \u201ctemptations\u201d: annihilation, in the sense of a slow dilution of the image, and of horror vacui, a phobia that leads himself to compulsively fill every part of the work leaving any empty spaces. Thus, a fluid universe is created inhabited by a varied range of presences. In this scenario, all the elements are twisted around each other within a system of interdependence. A rigorous process characterizes his works, several layers of plaster, sand and concrete are applied to form a material texture that effectively simulates the traditional fresco strapping technique. The difference of the pictorial layers discovered through the abraded trace of a finger, allows himself to generate visual sparks that ignite the imagination through pure tactility. Absorbing from social networks, art history and reality, a collage of diachronic figures emerges on the canvas. This stratification signifies the long cultural, anthropological, educative, social influence that determines belonging to a \u201cplace\u201d, to a community; certainly this doesn\u2019t only mean being part of an enriching cultural event, actually it means often being involved in the management of a complex legacy. The past is therefore a significant source, but this past is erased and blurred, subverted until it becomes \u201csomething else\u201d.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.gabrielenapoli.it\/it\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gabriele Napoli\" \/>\n<meta property=\"og:description\" content=\"His works are characterized by the coexistence of two oxymoronic \u201ctemptations\u201d: annihilation, in the sense of a slow dilution of the image, and of horror vacui, a phobia that leads himself to compulsively fill every part of the work leaving any empty spaces. Thus, a fluid universe is created inhabited by a varied range of presences. In this scenario, all the elements are twisted around each other within a system of interdependence. A rigorous process characterizes his works, several layers of plaster, sand and concrete are applied to form a material texture that effectively simulates the traditional fresco strapping technique. The difference of the pictorial layers discovered through the abraded trace of a finger, allows himself to generate visual sparks that ignite the imagination through pure tactility. Absorbing from social networks, art history and reality, a collage of diachronic figures emerges on the canvas. This stratification signifies the long cultural, anthropological, educative, social influence that determines belonging to a \u201cplace\u201d, to a community; certainly this doesn\u2019t only mean being part of an enriching cultural event, actually it means often being involved in the management of a complex legacy. 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